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The Beach Boys - Pet Sounds mp3 download

The Beach Boys - Pet Sounds mp3 download
Singer: The Beach Boys
Album title: Pet Sounds
Country: US
Released: 2015
Style: Pop Rock, Psychedelic Rock
Rating: 4.4/5
Other Formats: ASF VQF DMF DXD RA MP3 MIDI
FLAC size: 1203 mb | MP3 size: 1356 mb | WMA size: 1848 mb
Genre: Rock / Pop music
The Beach Boys - Pet Sounds mp3 download

Tracklist Hide Credits

A1 Wouldn't It Be Nice 2:22
A2 You Still Believe In Me 2:33
A3 That's Not Me 2:27
A4 Don't Talk (Put Your Head On My Shoulder) 2:52
A5 I'm Waiting For The Day
Written-By – Mike Love
3:01
A6 Let's Go Away For Awhile 2:18
A7 Sloop John B
Arranged By – Brian Wilson
2:57
B1 God Only Knows 2:46
B2 I Know There's An Answer
Written-By – Terry Sachen
3:10
B3 Here Today 2:38
B4 I Just Wasn't Made For These Times 3:21
B5 Pet Sounds 2:20
B6 Caroline No 2:16

Companies, etc.

  • Copyright (c) – Capitol Records, LLC
  • Manufactured By – Universal Music Enterprises
  • Remastered At – Cohearent Audio
  • Lacquer Cut At – Cohearent Audio
  • Pressed By – Quality Record Pressings

Credits

  • Photography By [Cover Photo] – George Jerman
  • Photography By [Liner Photos] – Dave Jampel
  • Producer – Brian Wilson
  • Remastered By, Lacquer Cut By [KPG runout etching] – Kevin Gray
  • Written-By – Brian Wilson (tracks: A1 to A6, B1 to B6), Tony Asher (tracks: A1 to A4, B1, B3, B4, B6)

Barcode and Other Identifiers

Other versions

Category Artist Title (Format) Label Category Country Year
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono, Cap) Capitol Records T 2458 US 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 India 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 UK 1966
SVLP 149 The Beach Boys Pet Sounds ‎(LP, Album, Ltd, RE, 180) Simply Vinyl, Capitol Records SVLP 149 UK 1999
SW113-2 The Beach Boys Pet Sounds ‎(CD, Album, Unofficial) SomeWax Recordings SW113-2 Russia 2003

Tracklist

A1 Wouldn't It Be Nice 2:22
A2 You Still Believe In Me 2:33
A3 That's Not Me 2:27
A4 Don't Talk (Put Your Head On My Shoulder) 2:52
A5 I'm Waiting For The Day 3:01
A6 Let's Go Away For Awhile 2:18
A7 Sloop John B 2:57
B1 God Only Knows 2:46
B2 I Know There's An Answer 3:10
B3 Here Today 2:38
B4 I Just Wasn't Made For These Times 3:21
B5 Pet Sounds 2:20
B6 Caroline, No 2:16

Companies, etc.

  • Record Company – Universal Music
  • Copyright (c) – Capitol Records, LLC
  • Phonographic Copyright (p) – Capitol Records, LLC
  • Distributed By – Universal Music Distribution
  • Mastered At – Capitol Mastering

Credits

  • Arranged By – Brian Wilson (tracks: A7)
  • Mastered By – RM*
  • Mixed By [Stereo Mix], Producer [Stereo Mix] – Mark Linett
  • Photography By [Cover Photo] – George Jerman
  • Photography By [Liner Photos] – Dave Jampel
  • Producer – Brian Wilson
  • Written-By – Brian Wilson (tracks: A1 to A6, B1 to B6), Mike Love (tracks: A5), Terry Sachen (tracks: B2), Tony Asher (tracks: A1 to A4, B1, B3, B4, B6)

Notes

Limited repress of 2000 on 130g vinyl by The Sound of Vinyl.

Rear cover, bottom:
This stereo record should be played only with a stereo cartridge and needle to avoid damage.
Stereo mix produced and mixed by Mark Linett under the supervision of Brian Wilson.
℗ © 2016 Capitol records, LLC, 1750 N. Vine Street, Hollywood, CA 90028 - U.S.A. Distributed by Universal Music Disctribution. All rights reserved. B0024729-01 UNIVERSALMUSICENTERPRISES.COM THEBEACHBOYS.COM

Black Capitol Records label with rainbow ring.

Barcode and Other Identifiers

  • Barcode (Scanned): 602567373797
  • Barcode (Printed): 6 02567 37379 7
  • Matrix / Runout (Side 1): B0024729-01 A G-1 RM
  • Matrix / Runout (Side 2): B0024729-01 B^2 G-1 RM

Other versions

Category Artist Title (Format) Label Category Country Year
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono, Cap) Capitol Records T 2458 US 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 India 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 UK 1966
SVLP 149 The Beach Boys Pet Sounds ‎(LP, Album, Ltd, RE, 180) Simply Vinyl, Capitol Records SVLP 149 UK 1999
SW113-2 The Beach Boys Pet Sounds ‎(CD, Album, Unofficial) SomeWax Recordings SW113-2 Russia 2003

Tracklist Hide Credits

1 Wouldn't It Be Nice
Written-By – B. Wilson*, T. Asher*
2:25
2 You Still Believe In Me
Written-By – B. Wilson*, T. Asher*
2:31
3 That's Not Me
Written-By – B. Wilson*, T. Asher*
2:28
4 Don't Talk (Put Your Head On My Shoulder)
Written-By – B. Wilson*, T. Asher*
2:53
5 I'm Waiting For The Day
Written-By – B. Wilson*, M. Love*
3:05
6 Let's Go Away For Awhile
Written-By – Brian Wilson
2:18
7 Sloop John B
Arranged By – Brian Wilson
2:58
8 God Only Knows
Written-By – B. Wilson*, T. Asher*
2:51
9 I Know There's An Answer
Written-By – B. Wilson*, T. Sachen*
3:09
10 Here Today
Written-By – B. Wilson*, T. Asher*
2:54
11 I Just Wasn't Made For These Times
Written-By – B. Wilson*, T. Asher*
3:12
12 Pet Sounds
Written-By – Brian Wilson
2:22
13 Caroline No
Written-By – B. Wilson*, T. Asher*
2:51
14 Unreleased Backgrounds
Mixed By – Larry Walsh, Mark Linett
0:51
15 Hang On To Your Ego
Mixed By – Larry Walsh, Mark Linett
3:18
16 Trombone Dixie
Mixed By – Mark Linett
2:53

Companies, etc.

  • Manufactured By – Capitol Records, Inc.
  • Pressed By – EMI Jax
  • Recorded At – Gold Star Studios
  • Recorded At – Western Studios
  • Recorded At – Sunset Sound
  • Mixed At – Capitol Studios
  • Mixed At – Your Place Or Mine Studios
  • Remastered At – Capitol Studios
  • Phonographic Copyright (p) – Capitol Records, Inc.
  • Copyright (c) – Capitol Records, Inc.
  • Published By – Irwin Music Inc.
  • Published By – New Executive Music

Credits

  • Art Direction – Tommy Steele
  • Compiled By [Reissue] – Mark Linett
  • Liner Notes – David Leaf
  • Producer – Brian Wilson
  • Remastered By – Larry Walsh, Mark Linett

Notes

Includes 24 pages booklet.
PET SOUNDS originally released on 5/16/66, Capitol T-2458. Charted 5/28/66, reached #10.
Printed in U.S.A.
℗ © 1990 Capitol Records, Inc.
All songs produced by Brian Wilson
Digitally remastered at Capitol Records, Hollywood, December 1987.
Tracks 14 to 16 are Bonus Tracks and were mixed at Capitol Records, Hollywood, except track 16 mixed at Your Place or Mine Studios, Los Angeles.

Barcode and Other Identifiers

  • Barcode (Text): 0 7777-48421-2 9
  • Barcode (Scanned): 077774842129
  • Matrix / Runout (Mirrored, clockwise): J 1-1-10 EMI JAX
  • Matrix / Runout (Mirrored, counter-clockwise): CDP7-48421-JVC 12T
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono, Cap) Capitol Records T 2458 US 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 India 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 UK 1966
SVLP 149 The Beach Boys Pet Sounds ‎(LP, Album, Ltd, RE, 180) Simply Vinyl, Capitol Records SVLP 149 UK 1999
SW113-2 The Beach Boys Pet Sounds ‎(CD, Album, Unofficial) SomeWax Recordings SW113-2 Russia 2003

Tracklist

Original Mono Program
A1 Wouldn't It Be Nice
A2 You Still Believe In Me
A3 That's Not Me
A4 Don't Talk (Put Your Head On My Shoulder)
A5 I'm Waiting For The Day
A6 Let's Go Away For Awhile
A7 Sloop John B
B1 God Only Knows
B2 I Know There's An Answer
B3 Here Today
B4 I Just Wasn't Made For These Times
B5 Pet Sounds
B6 Caroline No
Stereo Program
C1 Wouldn't It Be Nice
C2 You Still Believe In Me
C3 That's Not Me
C4 Don't Talk (Put Your Head On My Shoulder)
C5 I'm Waiting For The Day
C6 Let's Go Away For Awhile
C7 Sloop John B
D1 God Only Knows
D2 I Know There's An Answer
D3 Here Today
D4 I Just Wasn't Made For These Times
D5 Pet Sounds
D6 Caroline No

Companies, etc.

  • Record Company – Toshiba EMI Ltd

Notes

Originally released in 1966.

This Japan reissue edition is on 2 LP vinyls.
- sides A/B: Mono version, on yellow coloured vinyl.
- sides C/D: Stereo version, on green coloured vinyl.

Barcode and Other Identifiers

  • Other (LP 1 cat #): TOJP-60117
  • Other (LP 2 cat #): TOJP-60118

Other versions

Category Artist Title (Format) Label Category Country Year
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono, Cap) Capitol Records T 2458 US 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 India 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 UK 1966
SVLP 149 The Beach Boys Pet Sounds ‎(LP, Album, Ltd, RE, 180) Simply Vinyl, Capitol Records SVLP 149 UK 1999
SW113-2 The Beach Boys Pet Sounds ‎(CD, Album, Unofficial) SomeWax Recordings SW113-2 Russia 2003

Tracklist

A1 Wouldn't It Be Nice 2:22
A2 You Still Believe In Me 2:33
A3 That's Not Me 2:27
A4 Don't Talk (Put Your Head On My Shoulder) 2:52
A5 I'm Waiting For The Day 3:01
A6 Let's Go Away For Awhile 2:18
A7 Sloop John B 2:57
B1 God Only Knows 2:46
B2 I Know There's An Answer 3:10
B3 Here Today 2:38
B4 I Just Wasn't Made For These Times 3:21
B5 Pet Sounds 2:20
B6 Caroline No 2:16

Companies, etc.

  • Manufactured By – Capitol Records Inc.

Credits

  • Arranged By – Brian Wilson (tracks: A7)
  • Photography By [Cover] – George Jerman
  • Photography By [Liner] – Dave Jampel
  • Producer – Brian Wilson
  • Written-By – Brian Wilson, Mike Love (tracks: A5), Terry Sachen (tracks: B2), Tony Asher (tracks: A1, A2, A3, A4, B1, B3, B4, B6)

Notes

Side B matrix reports T2458 B-1 XXXXXXXXXXX B-1

Inner Label:
Rainbow coloured.
MFD by Capitol Records Inc (U.S.A) T.M

Front Cover:
"File Under: The Beach Boys DT 2458"

Rear Cover:
"Made in USA"

"Cover Photo: Capitol Photo Studio/George Jerman/San Diego Zoo"
"Liner Photos: Dave Jampel/Tokyo, Japan"

Barcode and Other Identifiers

  • Matrix / Runout (Side 1 Run Out Stamp): T2458 A-1
  • Matrix / Runout (Side 2 Run Out Stamp): T2458 B-1 XXXXXXXXXXX B-1

Other versions

Category Artist Title (Format) Label Category Country Year
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono, Cap) Capitol Records T 2458 US 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 India 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 UK 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 Venezuela 1966
SW113-2 The Beach Boys Pet Sounds ‎(CD, Album, Unofficial) SomeWax Recordings SW113-2 Russia 2003

Tracklist Hide Credits

Original Mono Program
1 Wouldn't It Be Nice
Bells, Timpani [Tympani], Percussion – Frank CappGuitar [Guitars] – Bill Pitman, Jerry ColeLead Vocals [Lead Vocals: Bridge] – Mike*Lead Vocals [Lead Vocals: Verses] – Brian*Mandolin [Mandolins] – Barney Kessel, Ray PohlmanSaxophone [Saxophones] – Jay Migliori, Plas Johnson, Steve Douglas
2:26
2 You Still Believe In Me
Bass Clarinet – Jay MiglioriClarinet – Steve DouglasPercussion – Jerry WilliamsSaxophone [Saxophones] – Jim Horn, Plas Johnson, Bill Green*Timpani [Tympani], Percussion [Latin Percussion] – Julius Wechter
2:35
3 That's Not Me
Drums – Dennis Wilson Electric Guitar [12-String Electric Guitar] – Glen CampbellGuitar – Carl WilsonLead Vocals [Lead Vocal: Choruses] – Brian*, Mike*Lead Vocals [Lead Vocal: Verses] – Mike*Organ – Brian WilsonPercussion – Frank Capp?*Tambourine [Apparently Played By] – Alan JardineTambourine [Or Uncredited] – Terry Melcher
2:30
4 Don't Talk (Put Your Head On My Shoulder)
Engineer [String Overdub] – H. Bowen DavidPercussion – Steve DouglasVibraphone, Timpani [Tympani] – Frank CappViola – Norman BotnickViolin [Violins] – Arnold Belnick, Ralph Schaeffer, Sid Sharp*, Tibor Zelig
2:54
5 I'm Waiting For The Day
Drums – Jim GordonEngineer – H. Bowen DavidEnglish Horn – Leonard HartmanFlute [Flutes] – Jay MiglioriGuitar – Ray PohlmanTimpani [Tympani], Bongos – Gary ColemanViola – Harry HyamsViolin [Violins] – Leonard Malarsky, Ralph Schaeffer, Sid Sharp*, William Kurasch
3:06
6 Let's Go Away For A While
Baritone Saxophone – Jay Migliori, Jim HornFlute [Flutes] – Jules Jacob, Steve DouglasTimpani [Tympani], Vibraphone – Julius WechterViola [Violas] – Harry Hyams, Joseph DiFioreViolin [Violins] – Arnold Belnick, James Getzoff, Jerome Reisler, Leonard Malarsky, Ralph Schaeffer, Sid Sharp*, Tibor Zelig, William Kurasch
2:21
7 Sloop John B
Arranged By – Brian WilsonClarinet – Jay MiglioriElectric Guitar [12-String Electric Guitar] – Billy StrangeFlute [Flutes] – Jim Horn, Steve DouglasGlockenspiel – Frank CappTambourine – Ron Swallow?*Written-By – Traditional
3:00
8 God Only Knows
Bass [Danelectro Bass] – Ray PohlmanBells [Sleigh Bells], Harpsichord – Brian*Cello – Jesse Erlich*Clarinet, Bass Clarinet – Leonard HartmanFrench Horn – Alan RobinsonLead Vocals [Lead Vocal: Tag] – Brian*, Bruce*Lead Vocals [Lead Vocal] – Carl*Percussion – Jim GordonViola – Darrel Terwilliger
2:53
9 I Know There's An Answer
Lead Vocals [Lead Vocal, Choruses] – Brian*Lead Vocals [Lead Vocal] – Alan*, Mike*Lyrics By [Co-Wrote The Lyric] – Terry Sachen
3:11
10 Here Today
Bass Trombone – Ernie TackDrums – Nick MartinisEngineer [Instrumental] – Bruce BotnickGuitar [Guitars] – Al Casey , Mike DeasyTambourine – Terry MelcherTrombone – Gail Martin
2:55
11 I Just Wasn't Made For These Times
Double Bass [String Bass] – Chuck BerghoferHarpsichord – Mike MelvoinTheremin – Paul TannerTimpani [Tympani], Bongos – Hal BlaineTimpani [Tympani], Percussion [Latin Percussion] – Frank Capp
3:16
12 Pet Sounds
Acoustic Guitar – Tommy TedescoDrums – Richie FrostElectric Guitar [Electric Guitars] – Billy Strange, Jerry ColePercussion – Plas Johnson, Richie Frost, Bill Green*Piano – Brian WilsonTenor Saxophone [Tenor Saxophones] – Jim Horn, Plas Johnson, Bill Green*
2:23
13 Caroline No
Flute [Flutes] – Jay Migliori, Jim Horn, Plas Johnson, Bill Green*Vibraphone – Frank CappVocals – Brian*
2:54
Bonus Track
14 Hang On To Your Ego
Lead Vocals [Lead Vocal] – Brian WilsonMixed By – Larry Walsh, Mark Linett
3:04
Stereo
15 Wouldn't It Be Nice
Bells, Timpani [Tympani], Percussion – Frank CappGuitar [Guitars] – Bill Pitman, Jerry ColeLead Vocals [Lead Vocals: Bridge] – Mike*Lead Vocals [Lead Vocals: Verses] – Brian*Mandolin [Mandolins] – Barney Kessel, Ray PohlmanSaxophone [Saxophones] – Jay Migliori, Plas Johnson, Steve Douglas
2:33
16 You Still Believe In Me
Bass Clarinet – Jay MiglioriClarinet – Steve DouglasPercussion – Jerry WilliamsSaxophone [Saxophones] – Jim Horn, Plas Johnson, Bill Green*Timpani [Tympani], Percussion [Latin Percussion] – Julius Wechter
2:36
17 That's Not Me
Drums – Dennis Wilson Electric Guitar [12-String Electric Guitar] – Glen CampbellGuitar – Carl WilsonLead Vocals [Lead Vocal: Choruses] – Brian*, Mike*Lead Vocals [Lead Vocal: Verses] – Mike*Organ – Brian WilsonPercussion – Frank Capp?*Tambourine [Apparently Played By] – Alan JardineTambourine [Or Uncredited] – Terry Melcher
2:31
18 Don't Talk (Put Your Head On My Shoulder)
Engineer [String Overdub] – H. Bowen DavidPercussion – Steve DouglasVibraphone, Timpani [Tympani] – Frank CappViola – Norman BotnickViolin [Violins] – Arnold Belnick, Ralph Schaeffer, Sid Sharp*, Tibor Zelig
2:58
19 I'm Waiting For The Day
Drums – Jim GordonEngineer – H. Bowen DavidEnglish Horn – Leonard HartmanFlute [Flutes] – Jay MiglioriGuitar – Ray PohlmanTimpani [Tympani], Bongos – Gary ColemanViola – Harry HyamsViolin [Violins] – Leonard Malarsky, Ralph Schaeffer, Sid Sharp*, William Kurasch
3:07
20 Let's Go Away For A While
Baritone Saxophone – Jay Migliori, Jim HornFlute [Flutes] – Jules Jacob, Steve DouglasTimpani [Tympani], Vibraphone – Julius WechterViola [Violas] – Harry Hyams, Joseph DiFioreViolin [Violins] – Arnold Belnick, James Getzoff, Jerome Reisler, Leonard Malarsky, Ralph Schaeffer, Sid Sharp*, Tibor Zelig, William Kurasch
2:25
21 Sloop John B
Arranged By – Brian WilsonClarinet – Jay MiglioriElectric Guitar [12-String Electric Guitar] – Billy StrangeFlute [Flutes] – Jim Horn, Steve DouglasGlockenspiel – Frank CappTambourine – Ron Swallow?*Written-By – Traditional
3:00
22 God Only Knows
Bass [Danelectro Bass] – Ray PohlmanBells [Sleigh Bells], Harpsichord – Brian*Cello – Jesse Erlich*Clarinet, Bass Clarinet – Leonard HartmanFrench Horn – Alan RobinsonLead Vocals [Lead Vocal: Tag] – Brian*, Bruce*Lead Vocals [Lead Vocal] – Carl*Percussion – Jim GordonViola – Darrel Terwilliger
2:55
23 I Know There's An Answer
Lead Vocals [Lead Vocal, Choruses] – Brian*Lead Vocals [Lead Vocal] – Alan*, Mike*Lyrics By [Co-Wrote The Lyric] – Terry Sachen
3:18
24 Here Today
Bass Trombone – Ernie TackDrums – Nick MartinisEngineer [Instrumental] – Bruce BotnickGuitar [Guitars] – Al Casey , Mike DeasyTambourine – Terry MelcherTrombone – Gail Martin
3:07
25 I Just Wasn't Made For These Times
Double Bass [String Bass] – Chuck BerghoferHarpsichord – Mike MelvoinTheremin – Paul TannerTimpani [Tympani], Bongos – Hal BlaineTimpani [Tympani], Percussion [Latin Percussion] – Frank Capp
3:21
26 Pet Sounds
Acoustic Guitar – Tommy TedescoDrums – Richie FrostElectric Guitar [Electric Guitars] – Billy Strange, Jerry ColePercussion – Plas Johnson, Richie Frost, Bill Green*Piano – Brian WilsonTenor Saxophone [Tenor Saxophones] – Jim Horn, Plas Johnson, Bill Green*
2:38
27 Caroline No
Flute [Flutes] – Jay Migliori, Jim Horn, Plas Johnson, Bill Green*Vibraphone – Frank CappVocals – Brian*
2:54

Companies, etc.

  • Phonographic Copyright (p) – Capitol Records, Inc.
  • Copyright (c) – Capitol Records, Inc.
  • Manufactured By – Capitol Records, Inc.
  • Produced At – Your Place Or Mine Recording
  • Engineered At – Your Place Or Mine Recording
  • Mixed At – Capitol Mastering
  • Remastered At – Oceanview Digital Mastering
  • Recorded At – Gold Star Recording Studio
  • Recorded At – Columbia Studios, Hollywood
  • Recorded At – Western Recorders
  • Recorded At – Sunset Sound

Credits

  • Accordion [Accordions] – Carl Fortina (tracks: 1, 8, 15, 22), Frank Marocco (tracks: 1, 8, 15, 22)
  • Arranged By – Brian Wilson
  • Art Direction – Tommy Steele
  • Artwork [Art Supervision] – Darren Wong, Sam Gay
  • Baritone Saxophone – Jack Nimitz (tracks: 7, 10, 21, 24), Jay Migliori (tracks: 8 to 12, 14, 22 to 26)
  • Cello – Joseph Saxon (tracks: 4, 6, 18, 20), Justin DiTullio (tracks: 5, 6, 19, 20)
  • Cover [Cover Photo], Photography By [Cover Photo] – George Jerman
  • Double Bass [String Bass] – Lyle Ritz (tracks: 1 to 10, 12, 14, 15 to 24, 26)
  • Drums – Hal Blaine (tracks: 1, 2, 4, 6 to 9, 11, 13 to 16, 18, 20 to 23, 25, 27)
  • Electric Bass – Carol Kaye (tracks: 1 to 8, 10, 12, 13, 15 to 22, 24, 26, 27), Ray Pohlman (tracks: 9, 11, 14, 23, 25)
  • Engineer – Chuck Britz (tracks: 2 to 4, 6 to 9, 12 to 14, 16 to 18, 20 to 23, 26, 27)
  • Engineer [Instrumental] – Larry Levine (tracks: 1, 11, 15, 25)
  • Engineer [Vocals] – Ralph Balantin (tracks: 1, 5, 8, 10, 11, 15, 19, 22, 24, 25)
  • Executive-Producer [Executive Producers] – Cheryl Pawelski, Paul Atkinson
  • Flute [Flutes] – Jim Horn (tracks: 5, 8, 19, 22), Bill Green* (tracks: 5, 8, 19, 22)
  • Guitar [Guitars] – Al Casey (tracks: 6, 7, 20, 21), Barney Kessel (tracks: 2, 6, 9, 11, 13, 14, 16, 20, 23, 25, 27), Billy Strange (tracks: 2, 4, 7, 16, 18, 21), Glen Campbell (tracks: 4, 9, 11, 13, 14, 18, 23, 25, 27), Jerry Cole (tracks: 2, 7, 16, 21)
  • Harmonica – Tommy Morgan (tracks: 9, 11, 14, 23, 25)
  • Harpsichord – Al De Lory (tracks: 2, 13, 16, 27)
  • Lead Vocals [Lead Vocal] – Brian* (tracks: 2, 4, 5, 7, 11, 16, 18, 19, 21, 25), Mike* (tracks: 7, 10, 21, 24)
  • Liner Notes – Brian Wilson, David Leaf, Mark Linett
  • Mixed By – Brian* (tracks: 1 to 13)
  • Organ – Al De Lory (tracks: 4, 7, 18, 21), Larry Knechtel (tracks: 1, 5, 8 to 10, 14, 15, 19, 22 to 24)
  • Percussion – Julius Wechter (tracks: 9, 14, 23)
  • Photography By [Liner Photos] – Dave Jampel
  • Piano – Al De Lory (tracks: 1, 5, 6, 15, 19, 20), Don Randi (tracks: 8, 10, 11, 22, 24, 25)
  • Piano [Tack Piano] – Al De Lory (tracks: 9, 14, 23)
  • Producer [Original Recordings Produced By] – Brian Wilson (tracks: 1 to 13)
  • Reissue Producer [Producer], Engineer – Mark Linett (tracks: 15 to 27)
  • Reissue Producer [Supervision], Engineer [Supervision] – Brian Wilson (tracks: 15 to 27)
  • Remastered By – Joe Gastwirt
  • Research [Photo Research] – Brad Benedict
  • Research [Sessionography] – Russ Wapensky
  • Supervised By [Audio Supervision] – Mark Linett
  • Tenor Saxophone [Tenor Saxophones] – Bobby Klein (tracks: 9, 11, 14, 23, 25), Jim Horn (tracks: 9, 14, 23), Paul Horn (tracks: 9, 14, 23), Plas Johnson (tracks: 6, 11, 20, 25), Steve Douglas (tracks: 6, 9, 11, 13, 14, 20, 23, 25, 27)
  • Trumpet – Roy Caton (tracks: 1, 6, 12, 15, 20, 26)
  • Ukulele – Lyle Ritz (tracks: 5, 13, 19, 27)
  • Written-By – Brian Wilson (tracks: 1 to 6, 8 to 20, 22 to 27), Mike Love (tracks: 1, 5, 9, 15, 19, 23), Terry Sachen (tracks: 9, 14, 23), Tony Asher (tracks: 1 to 4, 8, 10, 11, 13, 15 to 18, 22, 24, 25, 27)

Notes

Inlay:
The Complete Album In Stereo & Mono

Back Cover:
Stereo Mix Produced & Engineered at "Your Place Or Mine" Recording Studios, Glendale, CA.
Bonus Track Mixed at Capitol Mastering, Hollywood, CA, 1987.
Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process.
℗© 2001 Capitol Records, Inc.
Manufactured by Capitol Records, Inc.
Printed in the U.S.A.

CD:
℗© 2001 Capitol Records, Inc.
Made in the U.S.A.

Liner Notes:
Stereo Mixes Produced & Engineered at Your Place or Mine Recording Studios, Glendale CA, January-February 1996
Bonus Track Mixed at Capitol Mastering, Hollywood, CA, 1987.
Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process.
Special Thanks: Roy Lott, Andrew G. Doe, Cameron Mott, Eva Easton, Matt Hafey, Ray Lawlor, Robbie Leff, Elliott Lott
Billboard Ⓡ chart positions and debut dates courtesy of BPI Communications and Joel Whitburn’s Record Research Publications.
Text pp. 6-16 © 1990, 1996, 2000 David Leaf Productions, Inc. David Leaf wrote the liner notes for The Pet Sounds Sessions box set, from which these essays are adapted.
Track 14 is mono. Tracks 15-27 are stereo, remixed from the original three-track, four-track and eight-track master tapes.
Stereo mixes were originally released November 4, 1997 on The Pet Sounds Sessions boxed set.
-
Tracks 1 & 15: Instrumental track recorded Jan. 22, 1965 at Gold Star Recording Studios, Hollywood CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Released as Capitol single 5706. Originally the “B” side of the God Only Knows single.
Tracks 2 & 16: Instrumental track recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA. Instrumental introduction recorded Jan. 24, 1966 at Western Recorders. Vocals recorded January-February 1966 at Western Recorders.
Tracks 3 & 17: Basic Track recorded Feb 15, 1966 at Western Recorders, Hollywood, CA. Additional instrumentation and vocals recorded February or March 1966 at Western Recorders. The AFM contract for this date lists Brian, Carl, Dennis, Alan and Bruce as having played on this track. However, on the surviving session tape, only Brian, Carl and Dennis are clearly audible on the basic track, which includes just drums, organ, one guitar and tambourine. As Brian was on the studio floor, Bruce was in the control booth, helping Chuck Britz direct the session. The tambourine apparently was played by Alan Jardine or an uncredited Terry Melcher; Brian has named the latter on at least one occasion. Overdubbed at a later session: String Bass, Electric Bass, 12-String Electric Guitar, Percussion.
Tracks 4 & 18: Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders. String overdub recorded April 3, 1966 at Western Recorders. Overdub session: Violins, Viola, Cello.
Tracks 5 & 19: Instrumental track and string overdub recorded March 6, 1966 at Western Recorders. Vocals recorded March 1966 at Columbia Studios. Overdub session: Violins, Viola, String Bass.
Tracks 6 & 20: Instrumental recorded Jan. 18, 1966 at Western Recorders. String and flute overdubs recorded Jan. 19, 1966 at Western Recorders. Released Oct. 10, 1966 as the B-side of Capitol single 5676 (Good Vibrations). Overdub session: Violins, Violas, Cello, Flutes.
Tracks 7 & 21: Instrumental track recorded July 12, 1965 at Western Recorders. Vocals recorded Dec. 22, 1965 at Western Recorders. New lead vocals and 12-strong electric guitar overdub recorded Dec. 29, 1965 at Western Recorders. High harmony lead and additional backing vocals recorded January 1966 at Western Recorders. Released March 21, 1966 as Capitol single 5602. Overdub session: 12-string electric guitar.
Tracks 8 & 22: Instrumental track recorded March 10, 1966 at Western Recorders. Vocals recorded March-April 1966 at Columbia Studios. Released July 18, 1966 as the B-side of Capitol single 5706 (Wouldn't It Be Nice).
Tracks 9 & 23: Instrumental track recorded Feb. 9, 1966 at Western Recorders. Vocals recorded February-March 1966 at Western Recorders. Originally titled “Hang On To Your Ego” (a version of which is Track 14). When the lyric of the chorus was changed, so was the title. Overdub session: guitar
Tracks 10 & 24: Instrumental track recorded March 11, 1966 at Sunset Sound. Vocals recorded March 25, 1966 at Columbia Studios.
Tracks 11 & 25: Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios. Vocals recorded March-April 1966 at Columbia Studios.
Tracks 12 & 26 Instrumental recorded Nov. 17, 1965 at Western Recorders. Originally called “Run James Run” (it was written with James Bond in mind).
Tracks 13 & 27 recorded Jan. 31, 1966 at Western Recorders. Released March 7, 1966 as Capitol single 5610, by Brian Wilson.
Murry Wilson reportedly took the master tape that Brian had approved and before it was submitted to Capitol, he sped it up in an effort to make Brian sound younger. The single version did not include either the dog barks or the sound of the train, which probably came from a sound effects library. At a March session at Western, outtakes of which are included on "The Pet Sounds Sessions" box, Brian recorded his two dogs, Banana, a beagle and Louie, a weimaraner. Overdub session: Drums (in vamp), Electric bass, Harpsichord, Tenor saxophone.
Track 14 recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA. Mixed from the original four-track master tape at Capitol Records, Hollywood, CA, December 1987. Originally released as a bonus track on the 1990 Pet Sounds CD.
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Musician credits followed by “?” indicate speculative participation in session.
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NOTE: The sessionography is a revised version of what appeared in The Pet Sounds Sessions box set. Since this session information was derived largely from musician’s union contracts, it is not possible to totally guarantee its accuracy (AFM session contracts are created simply to assure payment to union members). Some of the contracts for Pet Sounds included persons who didn’t play on a given session, such as engineer Chuck Britz, as well as musicians who weren’t at the session. Furthermore, while the contracts contain the session date, the hours booked and a song title, none needed to be precisely accurate, and in the case of the date, it was often changed to follow the union requirements regarding the prompt reporting of sessions.
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Cover Photo: Capitol Photo Studio/San Diego Zoo
Liner Photos: Tokyo, Japan
℗© 2001 Capitol Records, Inc.
Manufactured by Capitol Records, Inc.
Printed in U.S.A.

Barcode and Other Identifiers

  • Barcode (Text, Upper Back Cover): 7 2435-26266-2-5
  • Barcode (Text, Below Barcode): 7 2435-26266-2 5
  • Barcode (String): 724352626625
  • Matrix / Runout: L385 5531 724352626625 C40313-07 A
  • Mastering SID Code: L385
  • Mould SID Code: IFPI6100

Other versions

Category Artist Title (Format) Label Category Country Year
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono, Cap) Capitol Records T 2458 US 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 India 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 UK 1966
T 2458 The Beach Boys Pet Sounds ‎(LP, Album, Mono) Capitol Records T 2458 Venezuela 1966
SW113-2 The Beach Boys Pet Sounds ‎(CD, Album, Unofficial) SomeWax Recordings SW113-2 Russia 2003


Comments (42)
Hra
Here is a link to the vinyl reviews review of this specific pressing: https://vinylreviews.com/album/pet-sounds/
Doukasa
Has anyone compared this to the 2LP 45RPM version? I'd like to get this one for the sake of less side-flipping, but want the best one possible. Just wondering if there's a huge difference.
Awene
gdf78 Has anyone compared this to the 2LP 45RPM version? I'd like to get this one for the sake of less side-flipping, but want the best one possible. Just wondering if there's a huge difference. I own both versions and can tell a fairly significant difference between the two. The 45rpm version, as predicted, has more noticeable separation between instrumentation and a bit richer bass. Studio banter seems more audible as well. It sounds like a brighter, almost entirely different mix where everything feels more pronounced. I recommend the 2 LP version to complement the 33 1/3 version. As you said, the extra flipping and swapping of records gets tedious. I also find it throws off the flow of the album, as the track listing was originally intended for only two sides. Buy them both, play them LOUD! [email protected]
Era
Still available online for $35. Just picked up a copy today.
Whitestone
You better snap this up now! This pressing will exceed $100+ in the near future due to its clear quality, best analog sound and packaging! Beats all of them in blind shootouts.
Meztihn
I am only a fan of reissues done right and unfortunately the majority are NOT. This one is in the minority.
Sharpbinder
I thought you didn’t like reissues...or am I making an over-generalisation? ????
Mustard Forgotten
I just got it, it's amazing. Such a full sound and the packaging is perfect.
Llbery
This pressing sounds very full and lively. The instruments are bold and stand out and the vocal harmonies actually have space to open up. I think it sounds good and rich textured and the orchestration of different sounds is very pleasing. Great reissue.
Mightsinger
This pressing of Pet Sounds is outstanding. A week before, I purchased the UME "50th Anniversary" pressing, and I was completely unsatisfied with that one. With that aside, this Pet Sounds is the real deal. Beautiful cover, nice inner sleeve, solid disc.. And most of all, it sounds amazing. It feels "Stereo" - but is definitely mono. Please, buy this one, instead of the digitally-sourced ones you can get at the record shops. It's worth the extra money! Can't wait to play this on my soon-to-be restored Pioneer PL-5 with Ortofon cartridge. Currently playing it on a stock Sony LX-250h.
Risinal
Funny thing (not really), I just got this from Amazon Marketplace... well, I got cover and insert, record and inner cover are missing :( Just contacted the seller...
Iriar
Believe the hype. I've got a clean 72 Carl and the Passions pressing, and a 2008 mono reissue, and this smokes both of them. Obviously your mileage will vary, but on a Rega RP6 with a DV-20X2, it sounds beautiful. The bass isn't overdone, it's just a lovely warm presence. The packaging is also lovely, which helps.
Magis
Couldn't agree more. This is now the best-sounding LP I own. Sounds amazing on my Pro-Ject Debut Carbon. I'll be selling my current copy of PS and keeping this one!
Gribandis
The packaging alone may be worth the price tag. Bass feels exaggerated at first, but then you get used to it (also would recommend listening to this in a large room if possible). I wouldn't say this is the best ever version, but it offers a different experience from past versions on vinyl and CD that were also excellent
Marilbine
It is very nice for a single pocket jacket. Heavy stock and laminated and it recreates the original with the pasted back...nice!
Prorahun
What about the packaging makes it worth the price tag? Thanks for any help
Kelenn
This might be the best version of Pet Sounds ever released. It's certainly miles better than the original pressings and the most recent reissues (Capitol 180g, 40th Anniversary). It seems like its only real competitors are the 70s Brother pressings and the DCC Hoffman-mastered vinyl. Those Brother pressings can be tough to find in good condition and the DCC goes for a lot of money these days. I haven't heard the DCC, but I really doubt it's worth $100 more than this pressing.The Analogue Productions release of Pet Sounds in mono is fantastic. The artwork is very sharp, the packaging doesn't feel cheap, and the vinyl is nice and weighty. I heard absolutely no surface noise on my copy. The album sounds incredible. Pick this up before it goes out of print and starts to fetch a lot of money. You won't regret it.
Error parents
The 180gram is digital sourced so this is surprising.
Alianyau
I just got this and am disappointed with the sound quality. The instruments sound muddled. That said I do not have a Mono cart right now so perhaps that has something to do with it. the 180g version I also purchased sounds much better IMO.
Flarik
So, is this now the best mono Pet Sounds pressing out there?
Vetitc
It is worth noting that the way Brian created the album in '66 was to bounce tapes as dubs. This makes the stereo far truer to the sound information on the tapes.He recorded in 4-track, and bounced that (for half of the album) to one track of a second four-track for vocal overdubs by the Beach Boys. He then mixed those to mono. For the other half of the album, he bounced the first 4-track tapes again to a 1" 8-track machine at CBS in LA and did the final mixdown to mono.The benefit is that the stereo mix is anywhere from two to four generations closer to the original multitracks of the sessions.Mark Linnett and many others argue this more than compensates for the digital sampling done at 16/48.
Hirah
I have to agree. It seems to give it more dimension.
Garne
The first time I fell in love with Pet Sounds was with the stereo mix, back in 1999, and no matter how many times I listen to the mono mix, trying to dig it, I still prefer stereo! I KNOW THIS IS SACRILEGE. There are plenty of albums which I prefer in mono, but I really believe the instrumentation in Pet Sounds benefits from a stereo soundstage. There is so much going on in those arrangements, and the stereo mix is just richer, to my ear. I know these are fightin' words, but everyone take comfort in the fact that I am surely a bit sentimental concerning this issue; the summer of '99 and Pet Sounds and my first true love are all wrapped up in my memory, so of course I prefer the record as I first heard it, right?
Najinn
Indeed, and don't even bother dropping your wad on the Stereo mix from digital source to analogue tape...
Sagda
The consensus is yes.